Written by Tom Bailey and Emma Taylor
How
did you use media technologies in the construction and research,
planning and evaluation stages? What particular camerawork techniques
& editing tools were used and to what effect? You need to discuss
specific tools and techniques that your knowledge of the cameras &
Pinnacle Studio HD V.15 enabled you to use.
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| Final Cut Pro X |
Final Cut Pro X -
For the post production editing of our trailer we have used Final Cut
Pro X (FCPX). FCPX is non-linear editing software developed by Mac for
their Intel-bases OS Mac computers. FCPX provides effective and
extensive use of editing techniques used within the film and television
production industry. It supports a number of simultaneously composed
video tracks, and user friendly interface, making it easy to edit
complex edits such as multi-cam editing, Chroma-key and colour grading.
It is a very effective and efficient editing system, which uploads
straight to Vimeo which is particularly useful for time efficiency and
sharing purposes.
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| Canon 6D |
Canon 6D -
We used my Canon EOS 6D to film our production, with a 82mm full frame
lens with polarizing filter. This high spec professional DSLR films at
1080p HD video, giving us the clearest, cinematic footage we could get
to use for trailer. However the disadvantage of using this camera is
that it is very expensive, especially with the range of lenses we used
and could be easily broken. The camera is also complex to operate
compared to other cameras, and an in depth knowledge of camera
operations such as ISO and aperture must be understood in order to be
camera operator.
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| Tracking Dolly |
Dolly -
We used a dolly for many of our tracking shots in the school scenes, and
we used the dolly for professional looking shots. Although Broken Coal
Productions do not have a professional dolly, I had made a dolly from
some plastic piping from B&Q. The home – made dolly worked well in
creating smooth and cinematic shots. However one issue with using the
dolly was that they were not collapsible and remained their full size,
making them difficult to be ported to different locations.
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| SD Card |
SD
Cards -
My Canon camera takes SD cards, and whilst lower spec SD cards are known
for running out of storage space when filming, we used four 62GB and
32GB cards which can hold a lot of data. We didn’t have to worry about
storage space on our camera running out, and on the mac we were editing
on, the SD card could just be imported into the computer and the files
transferred quickly onto the desktop.
Tripod
- We used a tripod to stabilise some of our shots as we didn’t want any
camera shake which would make our work look messy and unprofessional,
even though we did take it off the tripod to have some hand held shots
to give some variation. The tripod proved useful for panning tracking
shots, and we also used it to go onto the dolly for extra stabilisation.
It was a very key and useful part of equipment to have.
Batteries
- Whilst
expensive, the Canon, rechargeable lithium camera batteries (Canon
LP-E6) are very effective and let us have up to 5 hours filming time for
each battery (we had two). These allowed us to film continuously for a
long period of time without having to stop frequently to change the
battery pack.
Sigma 24-105 F4 DG OS HSM Full Frame Camera Lens
This sigma lens which cooperates with Canon full frame cameras. I
bought this lens as it is the latest addition to the ‘art’ series on
lenses which give good image quality and has a 19 element/ 14 group
design, with Sigma’s FLD glass, to minimize aberrations. The 45cm
focusing range enables us to use a large depth of field in our work,
giving sharp image quality and cinematic effect. However, this lens is
very expensive and so we had to be careful when filming with it. To stop
the lens glass getting damaged, I also bought a filter to protect the
lens glass.
Polarising Filter -
Another filter I bought is an 82mm polarising filter which we used on
the last few shoots to deepen the contrast in the colours for better
quality images. This also protects the lens glass, as it is much cheaper
to replace the filter than the lens glass.
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| Example at the results of a polarising filter |
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| LED film panel lighting |
LED Film
Pannel Lighting -
The pannel lighting allowed us to channel a strong light source onto our
actors to allow us to manipulate the cinematophy of the scene, enabling
us to change and create moods. For example, when filming in the school
and in a basement, we used a low level of light to create a chiarascuro
lighting style, but we have enough light in order to not create grain by
increasing the ISO settings on the Canon 6D. The lighting was useful as
we could adapt the mood of the scene by changing the intensity and
place of the pannel. The lighting is very expensive however and we had
to be careful when mounting it onto it’s stand and putting the bulbs
into place.
Reflector -
We used a reflector, as we only had one main light source, which meant
that shadows would be created onto objects and faces, as all objects are
either rectangular, square or circles. Faces are circles, so shadows
are easily created and so a reflector is used to bounce light back onto
the face to eliminate shadows. The reflector came in very useful on
shoots as we were able to create shots with minimal shadow.
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| Photography Reflector |
Clapper
Board -
We used a clapper board in order to sync the sound and the visuals
together in the editing process. We used the sound from the DSLR to sync
up the sound with the boom mic from the chosen shot (marked by the
clapper).
Sound recorder - Zoom H4N Solid State audio
recorder
We used this sound recorder which records onto SD cards and works in
conjunction with the boom. This operates on two separate channels (one
for right and left ear) and gives clear, detailed sound recordings which
can be edited during post production.
Boom Mic
- We used a boom microphone in order to get the sound as close to the
action as possible. This would enable us to cut out any unwanted
disturbances in the sound, and get the sharpest sound possible. Danny
Boyle said on the production of his latest feature film ‘Trance’ that
‘sound is pretty much 50% of the film. And I was lucky that my sound
producer got as close as possible, and it really showed. I think the
sound really made some of the scenes in this film.’ Continuing from this
idea, we wanted to focus on the sound production to make it the best it
could be, and with the boom mic being able to get close up to the sound
being produced eg. Feet walking then this is beneficial to us in order
to make the most realistic, detailed trailer. The boom is easy to hold
and manipulate, making it easy to record sound effectively.
Dead
Cat -
We used the dead cat in conjunction with the sound equipment when we
were outside on location, in order to not get any wind feedback into the
microphone, which would spoil the recordings. We found this useful as
on some of the days, the weather would ruin some of the shots.
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| Dead cat / Recorder Muff |
For our trailer ‘Fallen Grace’ we also used a variety of
different software in order to conduct our research, display and share our work
and edit the final production.
We used the video sharing site Vimeo as a way of uploading rushes,
animatics and the trailer. Vimeo was a good site for us to use as we could
embed the videos directly onto our blogs and also share them on social
networking sites such as Facebook and Twitter, which we also used to create fan
pages, updating the followers on the latest film news. Vimeo is also accessible
on the school computers. This was very convenient considering a lot of our work
is being done within class hours so being unable to access and share our
footage from school is very important.
E-mail was also very useful as a quick and effective
way of sharing work with each other, as we could always access the work whether
at home or at school.
We conducted much of our research on websites such as IMDb
and Vimeo, as they both allowed us to watch the trailers of films
with similar
conventions to ours such as ‘How I Live Now’, ‘Abduction’ and ‘I am
Number Four’ and then analyse them so we could understand the genre
specific
conventions and adhere to them when making our trailer. Vimeo also
allowed us
to take screen shots of relevant features that we could then convert
into JPGs
to display on our blogs.
We utilised the software Open mind 2 to create a mind map of
our initial ideas surrounding a coming of age genre and other sub genres such
as thrillers, action films and Sci-Fi’s.
Imdb actually had a huge impact on our
decision making and what we would ultimately
include in our hybrid genre of a
coming of age and a thriller. For example it was only after watching the
trailer for ‘How I live now’ that we decided to include an explosion as
we felt
this had a huge impact on the effectiveness of the whole trailer. We
also drew influence
from the editing style, of example, the end of the ‘How I live now
trailer’
Includes a reversed montage edit of all the clips included in the
trailer, we
really liked the effect this added to the trailer as it essentially sums
up
everything the viewers has just seen in the trailer into a few short
seconds,
we wanted to replicate it in our own to bring the trailer to a close. We
also
included chiaroscuro lighting similar to that seen in the trailer for ‘I
am Number Four’. The chiaroscuro lighting connotes the dark sides to
the story. In
'I am Number Four', the chiaroscuro was most prominent at the point of
disruption, in this case it is when he discovers he isn’t who he thought
he was
and his life is torn apart. We also used chiaroscuro lighting at the
point of
disruption in our trailer for 'Fallen Grace', in both the explosion
scene and in
the scene where Zara is going off the rails.
We took a lot of our inspiration on costume design
from figures in popular culture and also characters from other films and TV
shows, Charlie for example was based loosely on the character of the same from
‘The perks of being a wallflower, IMDb and YouTube gave us a constant reference
to the character, allowing us to mould our own characters according to dress
codes etc..
Photoshop cs5, although we didn’t need excessive use of
Photoshop it was extremely useful when creating our poster. Photoshop allowed
us to change the gradient so it goes from black to white from bottom to top. This
way we can have a light colour at the top and still have back at the bottom
allowing the important institutional information to be seen with a smooth
transition from light to dark.
Using Photoshop CS5 also allowed us to import images onto
transparent layers meaning we can have our photo of our main character Grace in
the background with other layers of text on top such as the title, the age
certificate and institutional information. We were also allowed to add further
layers to alter the colour (selective colour layer) and another layer for
contrast (brightness and contrast layer. This meant the colours could be
altered within the poster to add more of a thriller atmosphere similar to that
in posters we analyzed like the poster for ‘Shutter Island’ which features
heavy chiaroscuro lighting and the main protagonist’s face half in shadow, we
tried to achieve a similar affect with our poster with focus being placed on
the Grace’s face, this was all possible due to Photoshop. The colours we used
were also to connote an idea of death and destruction. We were also able to
include conventions such as primary opposition into the poster with the
monochrome effect using black and white to represent good and evil, reflecting
what will be seen in the film itself.








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